{"id":20747,"date":"2024-12-19T07:04:57","date_gmt":"2024-12-19T07:04:57","guid":{"rendered":"https:\/\/www.acad-ciencias.pt\/?post_type=ac_scholars&#038;p=20747"},"modified":"2025-03-25T11:50:23","modified_gmt":"2025-03-25T11:50:23","slug":"mario-vieira-de-carvalho","status":"publish","type":"ac_scholars","link":"https:\/\/www.acad-ciencias.pt\/eng\/scholars\/mario-vieira-de-carvalho\/","title":{"rendered":"M\u00e1rio Vieira de Carvalho"},"content":{"rendered":"<p class=\"wp-block-paragraph\">M\u00e1rio Vieira de Carvalho is a retired Full Professor at the Faculty of Social and Human Sciences of NOVA University of Lisbon (FCSH-UNL) and an integrated researcher at CESEM (Centre for the Study of Sociology and Musical Aesthetics), a research unit he founded in 1997 and directed, establishing it as an internationally renowned centre of excellence in the field of music\/musicology.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He holds a degree in Law from NOVA University of Lisbon (1968) and obtained a PhD in Musicology from Humboldt University of Berlin in 1985 (summa cum laude). His dissertation, a historical-sociological study on the S\u00e3o Carlos National Theatre, was published in Germany in 1999 as volume 5 of the <em>Musiksoziologie<\/em> series (Kassel, B\u00e4renreiter). It had already been translated into Portuguese and published in 1993 (<em>INCM<\/em>).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since the mid-1960s, he has been engaged in music criticism and advocacy, with his scientific work primarily focused on the sociology of music. He introduced this field into the music studies curriculum at FCSH, developing it as a sociology of musicology itself, intersecting with philosophy, critical thinking, and interdisciplinary dialogue.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He has co-organised and\/or presided over numerous international congresses and symposia, participated as a keynote speaker or invited lecturer in various scientific events, and published over 150 papers in leading journals and collective works in his field and related disciplines. Additionally, he has authored more than a thousand music criticism and opinion pieces in the press.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He is the author of 16 books (one co-authored with philosopher Fernando Gil), coordinator or co-coordinator of several others, and has written prefaces for over twenty publications. Some of his works include: <em>Denken ist Sterben. Sozialgeschichte des Opernhauses Lissabon<\/em> (1999); <em>E\u00e7a de Queir\u00f3s e Offenbach<\/em> (1999); <em>Raz\u00e3o e Sentimento na Comunica\u00e7\u00e3o Musical<\/em> (1999); <em>Por lo impossible andamos. A \u00f3pera como teatro de Gil Vicente a Stockhausen<\/em> (2005); <em>A Trag\u00e9dia da Escuta: Luigi Nono e a M\u00fasica do S\u00e9culo XX<\/em> (2007); <em>Expression, Truth, Authenticity: On Adorno\u2019s Theory of Music and Musical Performance<\/em> (ed., 2009); <em>Escutar a Literatura: Universos Sonoros da Escrita<\/em> (2014); <em>Lopes-Gra\u00e7a e a Modernidade Musical<\/em> (2017); <em>Patrim\u00f3nio Musical e Di\u00e1logo Intercultural<\/em> (2022); <em>Sem\u00e2ntica do Indiz\u00edvel: Do Conhecimento da M\u00fasica \u00e0 M\u00fasica como Conhecimento<\/em> (2024).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He has been a Visiting Professor at several universities, including King\u2019s College London, Freie Universit\u00e4t Berlin, Humboldt University of Berlin, Leopold-Franzens University of Innsbruck, and the University of S\u00e3o Paulo (USP).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He held, among others, the positions of President of the Scientific Council of FCSH, Vice-Rector of the New University of Lisbon and Secretary of State for Culture (XVII Constitutional Government).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He was a scholarship holder of the Calouste Gulbenkian Foundation (PhD), the Foundation for Science and Technology and the DAAD (Deuscher Akademischer Austauschdienst).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">On the occasion of his retirement, he was honored with the collective work Essays in Honor of M\u00e1rio Vieira de Carvalho: &#8220;Estes Sons, esta L\u00edngua&#8221; Essays on Music, Meaning and Society (ed. by Gilbert St\u00f6ck, Paulo Ferreira de Castro, Katrin St\u00f6ck), Leipzig: CESEM \/ Gudrun Schr\u00f6der-Verlag: 2015.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He is an honorary member of the Europ\u00e4ische Musik-Theater Akademie (Vienna), to which he was a director (2001-2020).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Other distinctions: Liszt Medal (Republic of Hungary, 1986); Member of the PEN Portuguese Club (1994); Medal of Honor of the Portuguese Society of Authors (2016); Member of the International Advisory Board of the Academy of Cultural Heritages (Finland) (2016).<\/p>","protected":false},"excerpt":{"rendered":"<p>M\u00e1rio Vieira de Carvalho is a retired Full Professor at the Faculty of Social and Human Sciences of NOVA University of Lisbon (FCSH-UNL) and an integrated researcher at CESEM (Centre for the Study of Sociology and Musical Aesthetics), a research unit he founded in 1997 and directed, establishing it as an internationally renowned centre of [&hellip;]<\/p>","protected":false},"author":15,"featured_media":20748,"menu_order":0,"template":"","format":"standard","meta":{"date":["2022-05-03"],"email":"mv.carvalho@fcsh.unl.pt","show_email":false,"interest":"Sociologia; Teoria Est\u00e9tica; Estudos de \u00d3pera e Dramaturgia; M\u00fasica e Literatura; M\u00fasica e Pol\u00edtica","interest_en":"","hyperlink":"https:\/\/www.cienciavitae.pt\/portal\/pt\/D81F-33FE-F52B https:\/\/orcid.org\/0000-0002-8765-2102","footnotes":""},"ac_class":[118],"ac_bond":[120],"ac_section":[152],"class_list":["post-20747","ac_scholars","type-ac_scholars","status-publish","format-standard","has-post-thumbnail","hentry","ac_class-classe-de-letras","ac_bond-efetivos","ac_section-9-a-seccao-comunicacao-e-artes"],"_links":{"self":[{"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_scholars\/20747","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_scholars"}],"about":[{"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/types\/ac_scholars"}],"author":[{"embeddable":true,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/users\/15"}],"version-history":[{"count":1,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_scholars\/20747\/revisions"}],"predecessor-version":[{"id":23498,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_scholars\/20747\/revisions\/23498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/media\/20748"}],"wp:attachment":[{"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/media?parent=20747"}],"wp:term":[{"taxonomy":"ac_class","embeddable":true,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_class?post=20747"},{"taxonomy":"ac_bond","embeddable":true,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_bond?post=20747"},{"taxonomy":"ac_section","embeddable":true,"href":"https:\/\/www.acad-ciencias.pt\/eng\/wp-json\/wp\/v2\/ac_section?post=20747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}